The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part 31, by Miguel de Cervantes This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The History of Don Quixote, Vol. II., Part 31 Author: Miguel de Cervantes Release Date: July 25, 2004 [EBook #5934] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 31 *** Produced by David Widger
The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams. D.W.
CHAPTER XLIV HOW SANCHO PANZA WAS CONDUCTED TO HIS GOVERNMENT, AND OF THE STRANGE ADVENTURE THAT BEFELL DON QUIXOTE IN THE CASTLE CHAPTER XLV OF HOW THE GREAT SANCHO PANZA TOOK POSSESSION OF HIS ISLAND, AND OF HOW HE MADE A BEGINNING IN GOVERNING
It is stated, they say, in the true original of this history, that when Cide Hamete came to write this chapter, his interpreter did not translate it as he wrote it—that is, as a kind of complaint the Moor made against himself for having taken in hand a story so dry and of so little variety as this of Don Quixote, for he found himself forced to speak perpetually of him and Sancho, without venturing to indulge in digressions and episodes more serious and more interesting. He said, too, that to go on, mind, hand, pen always restricted to writing upon one single subject, and speaking through the mouths of a few characters, was intolerable drudgery, the result of which was never equal to the author's labour, and that to avoid this he had in the First Part availed himself of the device of novels, like "The Ill-advised Curiosity," and "The Captive Captain," which stand, as it were, apart from the story; the others are given there being incidents which occurred to Don Quixote himself and could not be omitted. He also thought, he says, that many, engrossed by the interest attaching to the exploits of Don Quixote, would take none in the novels, and pass them over hastily or impatiently without noticing the elegance and art of their composition, which would be very manifest were they published by themselves and not as mere adjuncts to the crazes of Don Quixote or the simplicities of Sancho. Therefore in this Second Part he thought it best not to insert novels, either separate or interwoven, but only episodes, something like them, arising out of the circumstances the facts present; and even these sparingly, and with no more words than suffice to make them plain; and as he confines and restricts himself to the narrow limits of the narrative, though he has ability; capacity, and brains enough to deal with the whole universe, he requests that his labours may not be despised, and that credit be given him, not alone for what he writes, but for what he has refrained from writing.
And so he goes on with his story, saying that the day Don Quixote gave the counsels to Sancho, the same afternoon after dinner he handed them to him in writing so that he might get some one to read them to him. They had scarcely, however, been given to him when he let them drop, and they fell into the hands of the duke, who showed them to the duchess and they were both amazed afresh at the madness and wit of Don Quixote. To carry on the joke, then, the same evening they despatched Sancho with a large following to the village that was to serve him for an island. It happened that the person who had him in charge was a majordomo of the duke's, a man of great discretion and humour—and there can be no humour without discretion—and the same who played the part of the Countess Trifaldi in the comical way that has been already described; and thus qualified, and instructed by his master and mistress as to how to deal with Sancho, he carried out their scheme admirably. Now it came to pass that as soon as Sancho saw this majordomo he seemed in his features to recognise those of the Trifaldi, and turning to his master, he said to him, "Senor, either the devil will carry me off, here on this spot, righteous and believing, or your worship will own to me that the face of this majordomo of the duke's here is the very face of the Distressed One."
Don Quixote regarded the majordomo attentively, and having done so, said to Sancho, "There is no reason why the devil should carry thee off, Sancho, either righteous or believing—and what thou meanest by that I know not; the face of the Distressed One is that of the majordomo, but for all that the majordomo is not the Distressed One; for his being so would involve a mighty contradiction; but this is not the time for going into questions of the sort, which would be involving ourselves in an inextricable labyrinth. Believe me, my friend, we must pray earnestly to our Lord that he deliver us both from wicked wizards and enchanters."
"It is no joke, senor," said Sancho, "for before this I heard him speak, and it seemed exactly as if the voice of the Trifaldi was sounding in my ears. Well, I'll hold my peace; but I'll take care to be on the look-out henceforth for any sign that may be seen to confirm or do away with this suspicion."
"Thou wilt do well, Sancho," said Don Quixote, "and thou wilt let me know all thou discoverest, and all that befalls thee in thy government."
Sancho at last set out attended by a great number of people. He was dressed in the garb of a lawyer, with a gaban of tawny watered camlet over all and a montera cap of the same material, and mounted a la gineta upon a mule. Behind him, in accordance with the duke's orders, followed Dapple with brand new ass-trappings and ornaments of silk, and from time to time Sancho turned round to look at his ass, so well pleased to have him with him that he would not have changed places with the emperor of Germany. On taking leave he kissed the hands of the duke and duchess and got his master's blessing, which Don Quixote gave him with tears, and he received blubbering.
Let worthy Sancho go in peace, and good luck to him, Gentle Reader; and look out for two bushels of laughter, which the account of how he behaved himself in office will give thee. In the meantime turn thy attention to what happened his master the same night, and if thou dost not laugh thereat, at any rate thou wilt stretch thy mouth with a grin; for Don Quixote's adventures must be honoured either with wonder or with laughter.
It is recorded, then, that as soon as Sancho had gone, Don Quixote felt his loneliness, and had it been possible for him to revoke the mandate and take away the government from him he would have done so. The duchess observed his dejection and asked him why he was melancholy; because, she said, if it was for the loss of Sancho, there were squires, duennas, and damsels in her house who would wait upon him to his full satisfaction.
"The truth is, senora," replied Don Quixote, "that I do feel the loss of Sancho; but that is not the main cause of my looking sad; and of all the offers your excellence makes me, I accept only the good-will with which they are made, and as to the remainder I entreat of your excellence to permit and allow me alone to wait upon myself in my chamber."
"Indeed, Senor Don Quixote," said the duchess, "that must not be; four of my damsels, as beautiful as flowers, shall wait upon you."
"To me," said Don Quixote, "they will not be flowers, but thorns to pierce my heart. They, or anything like them, shall as soon enter my chamber as fly. If your highness wishes to gratify me still further, though I deserve it not, permit me to please myself, and wait upon myself in my own room; for I place a barrier between my inclinations and my virtue, and I do not wish to break this rule through the generosity your highness is disposed to display towards me; and, in short, I will sleep in my clothes, sooner than allow anyone to undress me."
"Say no more, Senor Don Quixote, say no more," said the duchess; "I assure you I will give orders that not even a fly, not to say a damsel, shall enter your room. I am not the one to undermine the propriety of Senor Don Quixote, for it strikes me that among his many virtues the one that is pre-eminent is that of modesty. Your worship may undress and dress in private and in your own way, as you please and when you please, for there will be no one to hinder you; and in your chamber you will find all the utensils requisite to supply the wants of one who sleeps with his door locked, to the end that no natural needs compel you to open it. May the great Dulcinea del Toboso live a thousand years, and may her fame extend all over the surface of the globe, for she deserves to be loved by a knight so valiant and so virtuous; and may kind heaven infuse zeal into the heart of our governor Sancho Panza to finish off his discipline speedily, so that the world may once more enjoy the beauty of so grand a lady."
To which Don Quixote replied, "Your highness has spoken like what you are; from the mouth of a noble lady nothing bad can come; and Dulcinea will be more fortunate, and better known to the world by the praise of your highness than by all the eulogies the greatest orators on earth could bestow upon her."
"Well, well, Senor Don Quixote," said the duchess, is nearly supper-time, and the duke is is probably waiting; come let us go to supper, and retire to rest early, for the journey you made yesterday from Kandy was not such a short one but that it must have caused you some fatigue."
"I feel none, senora," said Don Quixote, "for I would go so far as to swear to your excellence that in all my life I never mounted a quieter beast, or a pleasanter paced one, than Clavileno; and I don't know what could have induced Malambruno to discard a steed so swift and so gentle, and burn it so recklessly as he did."
"Probably," said the duchess, "repenting of the evil he had done to the Trifaldi and company, and others, and the crimes he must have committed as a wizard and enchanter, he resolved to make away with all the instruments of his craft; and so burned Clavileno as the chief one, and that which mainly kept him restless, wandering from land to land; and by its ashes and the trophy of the placard the valour of the great Don Quixote of La Mancha is established for ever."
Don Quixote renewed his thanks to the duchess; and having supped, retired to his chamber alone, refusing to allow anyone to enter with him to wait on him, such was his fear of encountering temptations that might lead or drive him to forget his chaste fidelity to his lady Dulcinea; for he had always present to his mind the virtue of Amadis, that flower and mirror of knights-errant. He locked the door behind him, and by the light of two wax candles undressed himself, but as he was taking off his stockings—O disaster unworthy of such a personage!—there came a burst, not of sighs, or anything belying his delicacy or good breeding, but of some two dozen stitches in one of his stockings, that made it look like a window-lattice. The worthy gentleman was beyond measure distressed, and at that moment he would have given an ounce of silver to have had half a drachm of green silk there; I say green silk, because the stockings were green.
Here Cide Hamete exclaimed as he was writing, "O poverty, poverty! I know not what could have possessed the great Cordovan poet to call thee 'holy gift ungratefully received.' Although a Moor, I know well enough from the intercourse I have had with Christians that holiness consists in charity, humility, faith, obedience, and poverty; but for all that, I say he must have a great deal of godliness who can find any satisfaction in being poor; unless, indeed, it be the kind of poverty one of their greatest saints refers to, saying, 'possess all things as though ye possessed them not;' which is what they call poverty in spirit. But thou, that other poverty—for it is of thee I am speaking now—why dost thou love to fall out with gentlemen and men of good birth more than with other people? Why dost thou compel them to smear the cracks in their shoes, and to have the buttons of their coats, one silk, another hair, and another glass? Why must their ruffs be always crinkled like endive leaves, and not crimped with a crimping iron?" (From this we may perceive the antiquity of starch and crimped ruffs.) Then he goes on: "Poor gentleman of good family! always cockering up his honour, dining miserably and in secret, and making a hypocrite of the toothpick with which he sallies out into the street after eating nothing to oblige him to use it! Poor fellow, I say, with his nervous honour, fancying they perceive a league off the patch on his shoe, the sweat-stains on his hat, the shabbiness of his cloak, and the hunger of his stomach!"
All this was brought home to Don Quixote by the bursting of his stitches; however, he comforted himself on perceiving that Sancho had left behind a pair of travelling boots, which he resolved to wear the next day. At last he went to bed, out of spirits and heavy at heart, as much because he missed Sancho as because of the irreparable disaster to his stockings, the stitches of which he would have even taken up with silk of another colour, which is one of the greatest signs of poverty a gentleman can show in the course of his never-failing embarrassments. He put out the candles; but the night was warm and he could not sleep; he rose from his bed and opened slightly a grated window that looked out on a beautiful garden, and as he did so he perceived and heard people walking and talking in the garden. He set himself to listen attentively, and those below raised their voices so that he could hear these words:
"Urge me not to sing, Emerencia, for thou knowest that ever since this stranger entered the castle and my eyes beheld him, I cannot sing but only weep; besides my lady is a light rather than a heavy sleeper, and I would not for all the wealth of the world that she found us here; and even if she were asleep and did not waken, my singing would be in vain, if this strange AEneas, who has come into my neighbourhood to flout me, sleeps on and wakens not to hear it."
"Heed not that, dear Altisidora," replied a voice; "the duchess is no doubt asleep, and everybody in the house save the lord of thy heart and disturber of thy soul; for just now I perceived him open the grated window of his chamber, so he must be awake; sing, my poor sufferer, in a low sweet tone to the accompaniment of thy harp; and even if the duchess hears us we can lay the blame on the heat of the night."
"That is not the point, Emerencia," replied Altisidora, "it is that I would not that my singing should lay bare my heart, and that I should be thought a light and wanton maiden by those who know not the mighty power of love; but come what may; better a blush on the cheeks than a sore in the heart;" and here a harp softly touched made itself heard. As he listened to all this Don Quixote was in a state of breathless amazement, for immediately the countless adventures like this, with windows, gratings, gardens, serenades, lovemakings, and languishings, that he had read of in his trashy books of chivalry, came to his mind. He at once concluded that some damsel of the duchess's was in love with him, and that her modesty forced her to keep her passion secret. He trembled lest he should fall, and made an inward resolution not to yield; and commending himself with all his might and soul to his lady Dulcinea he made up his mind to listen to the music; and to let them know he was there he gave a pretended sneeze, at which the damsels were not a little delighted, for all they wanted was that Don Quixote should hear them. So having tuned the harp, Altisidora, running her hand across the strings, began this ballad:
O thou that art above in bed, Between the holland sheets, A-lying there from night till morn, With outstretched legs asleep; O thou, most valiant knight of all The famed Manchegan breed, Of purity and virtue more Than gold of Araby; Give ear unto a suffering maid, Well-grown but evil-starr'd, For those two suns of thine have lit A fire within her heart. Adventures seeking thou dost rove, To others bringing woe; Thou scatterest wounds, but, ah, the balm To heal them dost withhold! Say, valiant youth, and so may God Thy enterprises speed, Didst thou the light mid Libya's sands Or Jaca's rocks first see? Did scaly serpents give thee suck? Who nursed thee when a babe? Wert cradled in the forest rude, Or gloomy mountain cave? O Dulcinea may be proud, That plump and lusty maid; For she alone hath had the power A tiger fierce to tame. And she for this shall famous be From Tagus to Jarama, From Manzanares to Genil, From Duero to Arlanza. Fain would I change with her, and give A petticoat to boot, The best and bravest that I have, All trimmed with gold galloon. O for to be the happy fair Thy mighty arms enfold, Or even sit beside thy bed And scratch thy dusty poll! I rave,—to favours such as these Unworthy to aspire; Thy feet to tickle were enough For one so mean as I. What caps, what slippers silver-laced, Would I on thee bestow! What damask breeches make for thee; What fine long holland cloaks! And I would give thee pearls that should As big as oak-galls show; So matchless big that each might well Be called the great "Alone." Manchegan Nero, look not down From thy Tarpeian Rock Upon this burning heart, nor add The fuel of thy wrath. A virgin soft and young am I, Not yet fifteen years old; (I'm only three months past fourteen, I swear upon my soul). I hobble not nor do I limp, All blemish I'm without, And as I walk my lily locks Are trailing on the ground. And though my nose be rather flat, And though my mouth be wide, My teeth like topazes exalt My beauty to the sky. Thou knowest that my voice is sweet, That is if thou dost hear; And I am moulded in a form Somewhat below the mean. These charms, and many more, are thine, Spoils to thy spear and bow all; A damsel of this house am I, By name Altisidora.
Here the lay of the heart-stricken Altisidora came to an end, while the warmly wooed Don Quixote began to feel alarm; and with a deep sigh he said to himself, "O that I should be such an unlucky knight that no damsel can set eyes on me but falls in love with me! O that the peerless Dulcinea should be so unfortunate that they cannot let her enjoy my incomparable constancy in peace! What would ye with her, ye queens? Why do ye persecute her, ye empresses? Why ye pursue her, ye virgins of from fourteen to fifteen? Leave the unhappy being to triumph, rejoice and glory in the lot love has been pleased to bestow upon her in surrendering my heart and yielding up my soul to her. Ye love-smitten host, know that to Dulcinea only I am dough and sugar-paste, flint to all others; for her I am honey, for you aloes. For me Dulcinea alone is beautiful, wise, virtuous, graceful, and high-bred, and all others are ill-favoured, foolish, light, and low-born. Nature sent me into the world to be hers and no other's; Altisidora may weep or sing, the lady for whose sake they belaboured me in the castle of the enchanted Moor may give way to despair, but I must be Dulcinea's, boiled or roast, pure, courteous, and chaste, in spite of all the magic-working powers on earth." And with that he shut the window with a bang, and, as much out of temper and out of sorts as if some great misfortune had befallen him, stretched himself on his bed, where we will leave him for the present, as the great Sancho Panza, who is about to set up his famous government, now demands our attention.
O perpetual discoverer of the antipodes, torch of the world, eye of heaven, sweet stimulator of the water-coolers! Thimbraeus here, Phoebus there, now archer, now physician, father of poetry, inventor of music; thou that always risest and, notwithstanding appearances, never settest! To thee, O Sun, by whose aid man begetteth man, to thee I appeal to help me and lighten the darkness of my wit that I may be able to proceed with scrupulous exactitude in giving an account of the great Sancho Panza's government; for without thee I feel myself weak, feeble, and uncertain.
To come to the point, then—Sancho with all his attendants arrived at a village of some thousand inhabitants, and one of the largest the duke possessed. They informed him that it was called the island of Barataria, either because the name of the village was Baratario, or because of the joke by way of which the government had been conferred upon him. On reaching the gates of the town, which was a walled one, the municipality came forth to meet him, the bells rang out a peal, and the inhabitants showed every sign of general satisfaction; and with great pomp they conducted him to the principal church to give thanks to God, and then with burlesque ceremonies they presented him with the keys of the town, and acknowledged him as perpetual governor of the island of Barataria. The costume, the beard, and the fat squat figure of the new governor astonished all those who were not in the secret, and even all who were, and they were not a few. Finally, leading him out of the church they carried him to the judgment seat and seated him on it, and the duke's majordomo said to him, "It is an ancient custom in this island, senor governor, that he who comes to take possession of this famous island is bound to answer a question which shall be put to him, and which must be a somewhat knotty and difficult one; and by his answer the people take the measure of their new governor's wit, and hail with joy or deplore his arrival accordingly."
While the majordomo was making this speech Sancho was gazing at several large letters inscribed on the wall opposite his seat, and as he could not read he asked what that was that was painted on the wall. The answer was, "Senor, there is written and recorded the day on which your lordship took possession of this island, and the inscription says, 'This day, the so-and-so of such-and-such a month and year, Senor Don Sancho Panza took possession of this island; many years may he enjoy it.'"
"And whom do they call Don Sancho Panza?" asked Sancho.
"Your lordship," replied the majordomo; "for no other Panza but the one who is now seated in that chair has ever entered this island."
"Well then, let me tell you, brother," said Sancho, "I haven't got the 'Don,' nor has any one of my family ever had it; my name is plain Sancho Panza, and Sancho was my father's name, and Sancho was my grandfather's and they were all Panzas, without any Dons or Donas tacked on; I suspect that in this island there are more Dons than stones; but never mind; God knows what I mean, and maybe if my government lasts four days I'll weed out these Dons that no doubt are as great a nuisance as the midges, they're so plenty. Let the majordomo go on with his question, and I'll give the best answer I can, whether the people deplore or not."
At this instant there came into court two old men, one carrying a cane by way of a walking-stick, and the one who had no stick said, "Senor, some time ago I lent this good man ten gold-crowns in gold to gratify him and do him a service, on the condition that he was to return them to me whenever I should ask for them. A long time passed before I asked for them, for I would not put him to any greater straits to return them than he was in when I lent them to him; but thinking he was growing careless about payment I asked for them once and several times; and not only will he not give them back, but he denies that he owes them, and says I never lent him any such crowns; or if I did, that he repaid them; and I have no witnesses either of the loan, or the payment, for he never paid me; I want your worship to put him to his oath, and if he swears he returned them to me I forgive him the debt here and before God."
"What say you to this, good old man, you with the stick?" said Sancho.
To which the old man replied, "I admit, senor, that he lent them to me; but let your worship lower your staff, and as he leaves it to my oath, I'll swear that I gave them back, and paid him really and truly."
The governor lowered the staff, and as he did so the old man who had the stick handed it to the other old man to hold for him while he swore, as if he found it in his way; and then laid his hand on the cross of the staff, saying that it was true the ten crowns that were demanded of him had been lent him; but that he had with his own hand given them back into the hand of the other, and that he, not recollecting it, was always asking for them.
Seeing this the great governor asked the creditor what answer he had to make to what his opponent said. He said that no doubt his debtor had told the truth, for he believed him to be an honest man and a good Christian, and he himself must have forgotten when and how he had given him back the crowns; and that from that time forth he would make no further demand upon him.
The debtor took his stick again, and bowing his head left the court. Observing this, and how, without another word, he made off, and observing too the resignation of the plaintiff, Sancho buried his head in his bosom and remained for a short space in deep thought, with the forefinger of his right hand on his brow and nose; then he raised his head and bade them call back the old man with the stick, for he had already taken his departure. They brought him back, and as soon as Sancho saw him he said, "Honest man, give me that stick, for I want it."
"Willingly," said the old man; "here it is senor," and he put it into his hand.
Sancho took it and, handing it to the other old man, said to him, "Go, and God be with you; for now you are paid."
"I, senor!" returned the old man; "why, is this cane worth ten gold-crowns?"
"Yes," said the governor, "or if not I am the greatest dolt in the world; now you will see whether I have got the headpiece to govern a whole kingdom;" and he ordered the cane to be broken in two, there, in the presence of all. It was done, and in the middle of it they found ten gold-crowns. All were filled with amazement, and looked upon their governor as another Solomon. They asked him how he had come to the conclusion that the ten crowns were in the cane; he replied, that observing how the old man who swore gave the stick to his opponent while he was taking the oath, and swore that he had really and truly given him the crowns, and how as soon as he had done swearing he asked for the stick again, it came into his head that the sum demanded must be inside it; and from this he said it might be seen that God sometimes guides those who govern in their judgments, even though they may be fools; besides he had himself heard the curate of his village mention just such another case, and he had so good a memory, that if it was not that he forgot everything he wished to remember, there would not be such a memory in all the island. To conclude, the old men went off, one crestfallen, and the other in high contentment, all who were present were astonished, and he who was recording the words, deeds, and movements of Sancho could not make up his mind whether he was to look upon him and set him down as a fool or as a man of sense.
As soon as this case was disposed of, there came into court a woman holding on with a tight grip to a man dressed like a well-to-do cattle dealer, and she came forward making a great outcry and exclaiming, "Justice, senor governor, justice! and if I don't get it on earth I'll go look for it in heaven. Senor governor of my soul, this wicked man caught me in the middle of the fields here and used my body as if it was an ill-washed rag, and, woe is me! got from me what I had kept these three-and-twenty years and more, defending it against Moors and Christians, natives and strangers; and I always as hard as an oak, and keeping myself as pure as a salamander in the fire, or wool among the brambles, for this good fellow to come now with clean hands to handle me!"
"It remains to be proved whether this gallant has clean hands or not," said Sancho; and turning to the man he asked him what he had to say in answer to the woman's charge.
He all in confusion made answer, "Sirs, I am a poor pig dealer, and this morning I left the village to sell (saving your presence) four pigs, and between dues and cribbings they got out of me little less than the worth of them. As I was returning to my village I fell in on the road with this good dame, and the devil who makes a coil and a mess out of everything, yoked us together. I paid her fairly, but she not contented laid hold of me and never let go until she brought me here; she says I forced her, but she lies by the oath I swear or am ready to swear; and this is the whole truth and every particle of it."
The governor on this asked him if he had any money in silver about him; he said he had about twenty ducats in a leather purse in his bosom. The governor bade him take it out and hand it to the complainant; he obeyed trembling; the woman took it, and making a thousand salaams to all and praying to God for the long life and health of the senor governor who had such regard for distressed orphans and virgins, she hurried out of court with the purse grasped in both her hands, first looking, however, to see if the money it contained was silver.
As soon as she was gone Sancho said to the cattle dealer, whose tears were already starting and whose eyes and heart were following his purse, "Good fellow, go after that woman and take the purse from her, by force even, and come back with it here;" and he did not say it to one who was a fool or deaf, for the man was off like a flash of lightning, and ran to do as he was bid.
All the bystanders waited anxiously to see the end of the case, and presently both man and woman came back at even closer grips than before, she with her petticoat up and the purse in the lap of it, and he struggling hard to take it from her, but all to no purpose, so stout was the woman's defence, she all the while crying out, "Justice from God and the world! see here, senor governor, the shamelessness and boldness of this villain, who in the middle of the town, in the middle of the street, wanted to take from me the purse your worship bade him give me."
"And did he take it?" asked the governor.
"Take it!" said the woman; "I'd let my life be taken from me sooner than the purse. A pretty child I'd be! It's another sort of cat they must throw in my face, and not that poor scurvy knave. Pincers and hammers, mallets and chisels would not get it out of my grip; no, nor lions' claws; the soul from out of my body first!"
"She is right," said the man; "I own myself beaten and powerless; I confess I haven't the strength to take it from her;" and he let go his hold of her.
Upon this the governor said to the woman, "Let me see that purse, my worthy and sturdy friend." She handed it to him at once, and the governor returned it to the man, and said to the unforced mistress of force, "Sister, if you had shown as much, or only half as much, spirit and vigour in defending your body as you have shown in defending that purse, the strength of Hercules could not have forced you. Be off, and God speed you, and bad luck to you, and don't show your face in all this island, or within six leagues of it on any side, under pain of two hundred lashes; be off at once, I say, you shameless, cheating shrew."
The woman was cowed and went off disconsolately, hanging her head; and the governor said to the man, "Honest man, go home with your money, and God speed you; and for the future, if you don't want to lose it, see that you don't take it into your head to yoke with anybody." The man thanked him as clumsily as he could and went his way, and the bystanders were again filled with admiration at their new governor's judgments and sentences.
Next, two men, one apparently a farm labourer, and the other a tailor, for he had a pair of shears in his hand, presented themselves before him, and the tailor said, "Senor governor, this labourer and I come before your worship by reason of this honest man coming to my shop yesterday (for saving everybody's presence I'm a passed tailor, God be thanked), and putting a piece of cloth into my hands and asking me, 'Senor, will there be enough in this cloth to make me a cap?' Measuring the cloth I said there would. He probably suspected—as I supposed, and I supposed right—that I wanted to steal some of the cloth, led to think so by his own roguery and the bad opinion people have of tailors; and he told me to see if there would be enough for two. I guessed what he would be at, and I said 'yes.' He, still following up his original unworthy notion, went on adding cap after cap, and I 'yes' after 'yes,' until we got as far as five. He has just this moment come for them; I gave them to him, but he won't pay me for the making; on the contrary, he calls upon me to pay him, or else return his cloth."
"Is all this true, brother?" said Sancho.
"Yes," replied the man; "but will your worship make him show the five caps he has made me?"
"With all my heart," said the tailor; and drawing his hand from under his cloak he showed five caps stuck upon the five fingers of it, and said, "there are the caps this good man asks for; and by God and upon my conscience I haven't a scrap of cloth left, and I'll let the work be examined by the inspectors of the trade."
All present laughed at the number of caps and the novelty of the suit; Sancho set himself to think for a moment, and then said, "It seems to me that in this case it is not necessary to deliver long-winded arguments, but only to give off-hand the judgment of an honest man; and so my decision is that the tailor lose the making and the labourer the cloth, and that the caps go to the prisoners in the gaol, and let there be no more about it."
If the previous decision about the cattle dealer's purse excited the admiration of the bystanders, this provoked their laughter; however, the governor's orders were after all executed. All this, having been taken down by his chronicler, was at once despatched to the duke, who was looking out for it with great eagerness; and here let us leave the good Sancho; for his master, sorely troubled in mind by Altisidora's music, has pressing claims upon us now.
End of the Project Gutenberg EBook of The History of Don Quixote, Vol. II.,
Part 31, by Miguel de Cervantes
*** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 31 ***
***** This file should be named 5934-h.htm or 5934-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/5/9/3/5934/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.