Project Gutenberg's The Illustrated Works Of Gordon Home, by Gordon Home This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Illustrated Works Of Gordon Home A Linked Index to the Project Gutenberg Editions Author: Gordon Home Editor: David Widger Release Date: May 24, 2009 [EBook #28959] Last Updated: January 5, 2019 Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED WORKS OF GORDON HOME *** Produced by David Widger
DOWNLOAD |
Click on the DOWNLOAD button above if you would like to download
this Index to your hard disk and save it there with all the volumes
of the entire set. Following these DOWNLOAD
INSTRUCTIONS will allow the index file to link to all the
volumes and chapters in the HTML files on your computer when you are
off-line. This collection of Project Gutenberg eBooks also includes two sets of mobile viewer files for Kindles, Nooks and others using .mobi or .epub formats. There is no index included for the .mobi or .epub files as your mobile viewer will automatially list the title names of the new files. |
PREFACE | |
LIST OF COLOURED ILLUSTRATIONS | |
LIST OF LINE ILLUSTRATIONS | |
CHAPTER I | Some Features of Normandy |
CHAPTER II | By the Banks of the Seine |
CHAPTER III | Concerning Rouen, the Ancient Capital of Normandy |
CHAPTER IV | Concerning the Cathedral City of Evreux and the Road to Bernay |
CHAPTER V | Concerning Lisieux and the Romantic Town of Falaise |
CHAPTER VI | From Argentan to Avranches |
CHAPTER VII | Concerning Mont St Michel |
CHAPTER VIII | Concerning Coutances and Some Parts of the Cotentin |
CHAPTER IX | Concerning St Lo and Bayeux |
CHAPTER X | Concerning Caen and the Coast Towards Trouville |
CHAPTER XI | Some Notes on the History of Normandy |
MONT ST MICHEL FROM THE CAUSEWAY |
ON THE ROAD BETWEEN CONCHES AND BEAUMONT-LE-ROGER This is typical of the poplar-bordered roads of Normandy. |
THE CHATEAU GAILLARD FROM THE ROAD BY THE SEINE The village of Le Petit Andely appears below the castle rock, and is partly hidden by the island. The chalk cliffs on the left often look like ruined walls. |
A TYPICAL REACH OF THE SEINE BETWEEN ROUEN AND LE PETIT ANDELY On one side great chalk cliffs rise precipitously, and on the other are broad flat pastures. |
THE CHURCH AT GISORS, SEEN FROM THE WALLS OF THE NORMAN CASTLE |
THE TOUR DE LA GROSSE HORLOGE, ROUEN It is the Belfry of the City, and was commenced in 1389. |
THE CATHEDRAL AT ROUEN Showing a peep of the Portail de la Calende, and some of the quaint houses of the oldest part of the City. |
THE CATHEDRAL OF EVREUX SEEN FROM ABOVE On the right, just where the light touches some of the roofs of the houses, the fine old belfry can be seen. |
A TYPICAL FARMYARD SCENE IN NORMANDY The curious little thatched mushroom above the cart is to be found in most of the Norman farms. |
THE BRIDGE AT BEAUMONT-LE-ROGER On the steep hill beyond stands the ruined abbey church. |
IN THE RUE AUX FEVRES, LISIEUX The second tiled gable from the left belongs to the fine sixteenth century house called the Manoir de Francois I. |
THE CHURCH OF ST JACQUES AT LISIEUX One of the quaint umber fronted houses for which the town is famous appears on the left. |
FALAISE CASTLE The favourite stronghold of William the Conqueror. |
THE PORTE DES CORDELIERS AT FALAISE A thirteenth century gateway that overlooks the steep valley of the Ante. |
THE CHATEAU D'O A seventeenth century manor house surrounded by a wide moat. |
THE GREAT VIEW OVER THE FORESTS TO THE SOUTH FROM THE RAMPARTS OF DOMFRONT CASTLE Down below can be seen the river Varennes, and to the left of the railway the little Norman Church of Notre-Dame-sur-l'Eau. |
THE CLOCK GATE, VIRE |
A VIEW OF MONT ST MICHEL AND THE BAY OF CANCALE FROM THE JARDIN DES PLANTES AT AVRANCHES On the left is the low coast-line of Normandy, and on the right appears the islet of Tombelaine. |
THE LONG MAIN STREET OF COUTANCES In the foreground is the Church of St Pierre, and in the distance is the Cathedral. |
THE GREAT WESTERN TOWERS OF THE CHURCH OF NOTRE DAME AT ST LO They are of different dates, and differ in the arcading and other ornament. |
THE NORMAN TOWERS OF BAYEUX CATHEDRAL |
OUISTREHAM |
THE CHATELET AND LA MERVEILLE AT MONT ST MICHEL The dark opening through the archway on the left is the main entrance to the Abbey. On the right can be seen the tall narrow windows that light the three floors of Abbot Jourdain's great work. |
THE DISUSED CHURCH OF ST NICHOLAS AT CAEN |
A COURTYARD IN THE RUE DE BAYEUX AT CAEN |
York from the Central Tower of The Minster |
Sleights Moor from Swart Houe Cross |
Runswick Bay |
Robin Hood's Bay |
Sunrise from Staithes Beck |
The Red Roofs of Whitby |
Whitby Abbey from the Cliffs |
An Autumn Day at Guisborough |
The Skelton Valley |
In Pickering Church |
The Market-place, Helmsley |
Richmond Castle from the River |
A Rugged View Above Wensleydale |
A Jacobean House at Askrigg |
Aysgarth Force |
View up Wensleydale from Leyburn Shawl |
Ripon Minster from the South |
Fountains Abbey |
Knaresborough |
Bolton Abbey, Wharfedale |
Settle |
Wolds |
Filey Brig |
The Outermost Point of Flamborough Head |
Hornsea Mere |
The Market-place, Beverley |
Patrington Church |
Coxwold Village |
The West Front of the Church Of Byland Abbey |
Bootham Bar, York |
Kirkstall Abbey, Leeds |
CHAPTER I | ACROSS THE MOORS FROM PICKERING TO WHITBY |
CHAPTER II | ALONG THE ESK VALLEY |
CHAPTER III | THE COAST FROM WHITBY TO REDCAR |
CHAPTER IV | THE COAST FROM WHITBY TO SCARBOROUGH |
CHAPTER V | SCARBOROUGH |
CHAPTER VI | WHITBY |
CHAPTER VII | THE CLEVELAND HILLS |
CHAPTER VIII | GUISBOROUGH AND THE SKELTON VALLEY |
CHAPTER IX | FROM PICKERING TO RIEVAULX ABBEY |
|
|
Shooters' Hill |
Dartford Church and Bridge |
The Gateway of the Monastery Close, Rochester |
Rochester |
Canterbury Cathedral from Christchurch Gate |
West Gate, Canterbury |
On the Stour Near Canterbury |
Chilham |
A Corner of Romney Marsh |
Rye |
Winchelsea Church |
Battle Abbey |
Lewes Castle |
The Downs |
The Weald of Sussex, North Of Lewes |
Arundel Castle |
The Market Cross, Chichester |
Bosham |
The Tudor House, Opposite St Michael's Church, Southampton |
In the New Forest |
Romsey Abbey |
North Transept, Winchester Cathedral |
St Cross, Winchester |
Selborne from the Hanger |
CHAPTER | PAGE | |
---|---|---|
I. | THE PILGRIM'S APPROACH TO THE CITY | 5 |
II. | THE STORY OF CANTERBURY | 9 |
III. | THE CATHEDRAL | 40 |
IV. | THE CITY | 56 |
INDEX |
PLATE | ||
---|---|---|
1. | THE NAVE OF CANTERBURY CATHEDRAL | Frontispiece |
FACING PAGE | ||
2. | CHRIST CHURCH GATE | 9 |
3. | THE CATHEDRAL FROM NORTH-WEST | 16 |
4. | THE "ANGEL" OR "BELL HARRY" TOWER AND THE LAVATORY TOWER OF THE CATHEDRAL | 25 |
5. | THE CHAPEL OF "OUR LADY" IN THE UNDERCROFT OF THE CATHEDRAL | 27 |
6. | THE WARRIOR'S CHAPEL | 30 |
7. | THE MARTYRDOM IN THE NORTH-WEST TRANSEPT | 32 |
8. | THE DOORWAY FROM THE CLOISTERS TO THE MARTYRDOM | 43 |
9. | THE GREYFRIARS' HOUSE IN CANTERBURY | 46 |
10. | THE HOUSE OF THE CANTERBURY WEAVERS | 49 |
11. | WESTGATE CANTERBURY FROM WITHIN | 56 |
12. | THE NORMAN STAIRCASE TO THE KING'S SCHOOL | On the cover |
13. | PLAN OF CANTERBURY. | 5 |
14. | PLAN OF CANTERBURY CASTLE. | 63 |
PREFACE. |
LIST OF ILLUSTRATIONS. |
INTRODUCTION |
CHAPTER I CONCERNING THOSE WHICH FOLLOW |
CHAPTER II THE FOREST AND VALE OF PICKERING IN PALAEOLITHIC AND PRE-GLACIAL TIMES |
CHAPTER III THE VALE OF PICKERING IN THE LESSER ICE AGE |
CHAPTER IV THE EARLY INHABITANTS OF THE FOREST AND VALE OF PICKERING |
CHAPTER V HOW THE ROMAN OCCUPATION OF BRITAIN AFFECTED THE FOREST AND VALE OF PICKERING, B.C. 55 TO A.D. 418 |
CHAPTER VI THE FOREST AND VALE IN SAXON TIMES, A.D. 418 TO 1066 |
CHAPTER VII THE FOREST AND VALE IN NORMAN TIMES, A.D. 1066 TO 1154 |
CHAPTER VIII THE FOREST AND VALE IN THE TIME OF THE PLANTAGENETS, A.D. 1154 TO 1485 |
CHAPTER IX THE FOREST AND VALE IN TUDOR TIMES, A.D. 1485 TO 1603 |
CHAPTER X THE FOREST AND VALE IN STUART TIMES, A.D. 1603 TO 1714 |
CHAPTER XI THE FOREST AND VALE IN GEORGIAN TIMES, A.D. 1714 TO 1837 |
CHAPTER XII THE FOREST AND VALE FROM EARLY VICTORIAN TIMES UP TO THE PRESENT DAY, A.D. 1837 TO 1905 |
CHAPTER XIII Concerning the Villages and Scenery of the Forest and Vale of Pickering |
CHAPTER XIV Concerning the Zoology of the Forest and Vale |
Pickering From The North-West |
Rosamund Tower, Pickering Castle |
Kirkdale Cave |
Hyænas' Jaws |
Elephants' Teeth |
Bear's Tusk |
Pickering Lake in Ice Age |
Newtondale in Ice Age |
Pickering Lake, Eastern End |
Scamridge Dykes |
Pre-Historic Weapons |
Leaf-shaped Arrow Head |
Lake Dwellings Relics |
Remains of Pre-Historic Animals from Lake Dwellings |
Skeleton of Bronze Age |
A Quern |
Urns in Pickering Museum |
Sketch Map of Roman Road and Camps |
The Tower of Middleton Church |
Ancient Font and Crosses |
Saxon Sundial at Kirkdale |
Saxon Sundial at Edstone |
Pre-Norman Remains near Pickering |
Saxon Stones at Kirkdale |
Saxon Stones at Sinnington |
South Side of the Nave of Pickering Church |
Norman Doorway at Salton |
Norman Work at Ellerburne |
The Crypt at Lastingham |
Norman Font at Edstone |
Wall Paintings in Pickering Church |
The Devil's Tower, Pickering Castle |
Wall Painting of St Christopher |
Wall Painting of St Edmund and Acts of Mercy |
Wall Painting of Herod's Feast and Martyrdom of St Thomas a Becket |
Effigy of Sir William Bruce |
Effigies in Bruce Chapel |
Holy Water Stoup in Pickering Church |
Sanctus Bell |
Cattle Marks |
Section of Fork Cottage |
Details of Fork Cottage |
Pickering Castle from the Keep |
Pre-Reformation Chalice |
Font at Pickering Church |
Alms Box at Pickering Church |
House in which Duke of Buckingham Died |
Maypole on Sinnington Green |
Inverted Stone Coffin at Wykeham |
Magic Cubes |
Newtondale, showing the Coach Railway |
Relics of Witchcraft |
A Love Garter |
Horn of the Sinnington Hunt |
Interior of the Oldest Type of Cottage |
Ingle-Nook at Gallow Hill Farm |
Autographs of Wordsworth and Mary Hutchinson |
Riding t' Fair |
Halbert and Spetum |
Old Key of Castle |
Pickering Shambles |
The Old Pickering Fire-Engine |
Market Cross at Thornton-le-Dale |
Lockton Village |
The Black Hole of Thornton-le-Dale |
Hutton Buscel Church |
Sketch Map of the Pickering District |
CHAPTER I | Page | |
Introductory | 1 | |
CHAPTER II | ||
The Genesis and Characteristics of the French | 6 | |
CHAPTER III | ||
Family Life—Marriage and the Birth-rate | 23 | |
CHAPTER IV | ||
How the French govern Themselves | 49 | |
CHAPTER V | ||
On Education and Religion | 67 | |
CHAPTER VI | [Pg vi] | |
Some Aspects of Paris and of Town Life in General | 86 | |
CHAPTER VII | ||
Of Rural Life in France | 114 | |
CHAPTER VIII | ||
The Rivers of France | 143 | |
CHAPTER IX | ||
Of the Watering-Places | 169 | |
CHAPTER X | ||
Architecture—Roman, Romanesque, and Gothic—
in France |
193 | |
CHAPTER XI | ||
The National Defences | 205 | |
INDEX | ||
213 |
The Western Façade of Amiens CathedralFrontispiece |
Combourg, a typical Château of the Mediaeval Type8 |
In the Café Armenonville in the Bois de Boulogne, Paris17 |
In the Place du Théâtre Français, Paris24 |
Evening in the Place d'Iéna, Paris31 |
In the Centre of Paris40 |
The Market-Place and Cathedral at Abbeville48 |
Five-o'clock Tea in Paris64 |
Children of Paris in the Luxembourg Gardens71 |
Le Puy-en-Velay in the Auvergne Country75 |
La Roche, a Village of Haute Savoie78 |
A typical Cocher of Paris90 |
Autumn in the Champs Elysées, Paris95 |
A Breton Calvaire: the oratory of Jacques Cartier122 |
A Peasant Child of Normandy126 |
The Cathedral and part of the Old City of Chartres136 |
The Château of Amboise on the Loire144 |
Château Gaillard and a loop of the Seine150 |
Mont Blanc reflecting the sunset glow155 |
Evian les Bains on Lake Geneva158 |
The Chapel on the Bridge of St. Bénézet, Avignon162 |
Cap Martin near Mentone164 |
The Château of Chenonceaux168 |
St. Malo from St. Servan171 |
Monte Carlo and Monaco from the East174 |
Mont St. Michel at High Tide177 |
The Vegetable Market, Nice187 |
The Pyrenees from near Pamiers190 |
The Galerie des Glaces at Versailles192 |
The Roman Triumphal Arch at Orange194 |
French Destroyers200 |
Soldiers of France in Paris208 |
TRUNK ROUTE | |||
SECTION | PAGE | ||
I. | London to Dunstable, 32 Miles | 1 | |
II. | Dunstable to Atherstone, 72½ Miles | 18 | |
III. | Atherstone to Shrewsbury, 59 Miles | 29 | |
LOOP No. 1 | |||
(a) | Shrewsbury to Chester, 39½ Miles | 38 | |
(b) | Chester to Mold and Rhyl, 35½ Miles | 52 | |
(c) | Rhyl to Shrewsbury, 86½ Miles | 61 | |
TRUNK ROUTE | |||
IV. | Shrewsbury to Llandudno, 81½ Miles | 75 | |
V. | Llandudno to Bangor, 18¾ Miles | 89 | |
LOOP No. 2 | |||
Bangor to Bettws-y-Coed, 20¼ Miles | 98 | ||
TRUNK ROUTE | |||
VI. | Bangor to Dolgelley, 65¾ Miles | 103 | |
LOOP No. 3 | |||
Dolgelley to Cemmaes via Tal-y-Llyn, 40 Miles | 119 | ||
LOOP No. 4 | |||
Cemmaes to Aberystwyth and Llangurig, 49¾ Miles | 127 | ||
TRUNK ROUTE | |||
VII. | Dolgelley to Llangurig, 48¼ Miles | 134 | |
LOOP No. 5 | |||
(a) | Talgarth to St. David's, 117¼ Miles | 142 | |
(b) | St. David's to Hereford, 132¼ Miles | 162 | |
TRUNK ROUTE | |||
VIII. | Llangurig to Abergavenny, 68 Miles | 180 | |
IX. | Abergavenny to Gloucester, 84¼ Miles | 189 | |
LOOP No. 6 | |||
(a) | Hereford to Shrewsbury, 54¾ Miles | 219 | |
(b) | Shrewsbury to Hereford, 81¼ Miles | 232 | |
LOOP No. 7 | |||
Gloucester to Bath, Malmesbury, Evesham, Tewkesbury, and Gloucester, 153 Miles | 243 | ||
TRUNK ROUTE | |||
X. | Gloucester to Oxford, 50 Miles | 269 | |
LOOP No. 8 | |||
Oxford to Stratford-on-Avon, Coventry, Banbury, and Oxford, 110 Miles | 280 | ||
TRUNK ROUTE | |||
XI. | Oxford to London, 67½ Miles | 305 | |
Table of the Sovereigns of England, the Chief Events of their Reigns, and the Architectural Periods | 320 | ||
A List of Motor-Car Signs | 323 | ||
A List of Hotels | 326 | ||
Index | 327 |
1. | Distant View of Bettws-y-Coed. | Frontispiece |
FACING PAGE | ||
2. | Lichfield Cathedral | 32 |
3. | Shrewsbury House, Chester | 65 |
4. | Swallow Falls, near Bettws-y-Coed | 72 |
5. | Conway from Benarth | 89 |
6. | Conway Valley | 96 |
7. | Distant View of Penmaenmawr | 113 |
8. | Snowdon from Traeth Mawr | 120 |
9. | Hereford Cathedral from the Banks of the Wye | 176 |
10. | The Wye, Symond's Yat, near Monmouth, Herefordshire | 185 |
11. | Coming Night, near Beddgelert | 201 |
12. | Tintern Abbey | 208 |
13. | Church Porch at Northleach | 281 |
14. | Stratford-on-Avon | 288 |
15. | Ford's Hospital, Coventry | 297 |
16. | Magdalen Tower and Bridge, Oxford | 304 |
PAGE | ||
1. | St. Albans | 7 |
2. | Dunstable | 16 |
3. | Shrewsbury | 77 |
4. | Chester | 44 |
5. | Conway | 91 |
6. | Carnarvon | 106 |
7. | Hereford | 177 |
8. | Worcester | 237 |
9. | Gloucester | 212 |
10. | Tewkesbury | 265 |
11. | Cheltenham | 271 |
12. | Oxford | 307 |
13. | Warwick | 291 |
14. | Leamington | 294 |
15. | Coventry | 299 |
16. | Bath | 251 |
Chester Cathedral | 46 | |
Valle Crucis Abbey | 72 | |
Carnarvon Castle | 107 | |
St. David's Cathedral | 159 | |
Gloucester Cathedral | 215 |
SECTION | PAGE | |
I. | Havre to Rouen, Dieppe to Rouen, and Calais and Boulogne to Rouen | 1 |
II. | Rouen to Evreux | 27 |
III. | Evreux to Chartres | 50 |
IV. | Chartres to Orleans | 62 |
V. | Orleans to Tours | 80 |
VI. | Tours to Poitiers | 116 |
VII. | Poitiers to Angoulême | 138 |
VIII. | Angoulême to Bergerac | 152 |
IX. | Bergerac to Mont-de-Marsan | 167 |
X. | Mont-de-Marsan to Biarritz | 175 |
XI. | Biarritz to Pamplona and San Sebastian, Spain | 193 |
XII. | Biarritz to Pau | 218 |
XIII. | Pau to St. Gaudens | 227 |
XIV. | St. Gaudens to Carcassonne | 241 |
XV. | Carcassonne to Montpellier | 254 |
XVI. | Montpellier to Aix-en-Provence | 272 |
XVII. | Aix-en-Provence to Cannes | 292 |
XVIII. | Cannes to San Remo | 305 |
XIX. | Aix-en-Provence to Avignon | 324 |
XX. | Avignon to Valence{viii} | 320 |
XXI. | Valence to St. Étienne | 346 |
XXII. | St. Étienne to Moulins | 356 |
XXIII. | Moulins to Briare | 364 |
XXIV. | Briare to Melun | 375 |
XXV. | Melun to St. Germain-en-Laye | 383 |
XXVI. | St. Germain-en-Laye to Gisors | 390 |
XXVII. | Gisors to Rouen | 400 |
XXVIII. | Gisors to Dieppe | 417 |
Hints on Touring in France, by John L. Kirk | 420 | |
French and Italian Road Warnings | 426 | |
A Table of the Dates of the Chief Events in French History | 430 | |
Index: A, B, C, D, E, F, G, H, I, J, L, M, N, O, P, Q, R, S, T, U, V, W, Y, Z | 435 |
IN COLOUR | ||
---|---|---|
1. | Chartres | Frontispiece |
FACING PAGE | ||
2. | Caudebec-en-Caux | 12 |
3. | The Towers of St. Ouen, Rouen | 40 |
4. | The Road near Rouen | 49 |
5. | Amboise | 105 |
6. | The Château of Chenonceaux | 112 |
7. | The Limestone Cavern on the Road near Mas d'Azil | 248 |
8. | The Pyrenees in Spring | 257 |
9. | Narbonne | 265 |
10. | The Castle at Tarascon | 272 |
11. | On the Coast of the Estérels | 305 |
12. | Cap Martin | 312 |
13. | The Mouth of the Roya at Ventimiglia | 321 |
14. | An Arched Street in Apricale, Italy | 328 |
15. | The Roman Arch at Orange | 344 |
16. | Château Gaillard, Normandy | 412 |
IN BLACK AND WHITE | ||
1. | Rouen Cathedral from the South | 57 |
2. | Approaching Chartres | 64 |
3. | Old Gabled Houses at Tours{x} | 121 |
4. | The Street of Narvate | 128 |
5. | Shoeing a Bullock in the Basque Country | 201 |
6. | One of the Gates of Pamplona | 208 |
7. | The Limestone Gorge in the Pyrenees between Pamplona and Tolosa | 217 |
8. | The Fortified Bridge at Orthez | 224 |
9. | A picturesque Corner of St. Lizier | 243 |
10. | The Cloisters at St. Lizier | 246 |
11. | On the Ramparts of the Cité of Carcassonne | 259 |
12. | The Arcaded Square of Mirepoix | 262 |
13. | The Greek Theatre at Arles | 289 |
14. | The Romanesque Bridge at Avignon | 296 |
15. | The Tour de l'Horloge at Moulins | 361 |
16. | The Fifteenth Century Fireplace in the Hôtel du Grand Cerf at Le Grand Andely | 368 |
IN THE TEXT | ||
Plan of the Château of Blois, p. 95. | ||
How Biarritz was visited in 1813, p. 188. | ||
Twenty-eight Route Maps. | ||
Thirty-one Town Plans. | ||
AT END OF BOOK | ||
Folding Map of France, showing all the routes described and other alternative routes to which some reference is given. |
CHAPTER | PAGE | |
I. | CÆSAR'S INVASIONS | 1 |
II. | THE CLAUDIAN INVASION AND THE ROMAN CONQUEST | 30 |
III. | THE ROMAN PROVINCE AND THE EARLIER TEUTONIC INVASIONS | 58 |
IV. | THE ENGLISH CONQUEST | 85 |
V. | THE VIKING RAVAGES | 114 |
VI. | ALFRED AND THE SAVING OF WESSEX | 132 |
VII. | THE CONQUEST OF THE DANELAW | 152 |
VIII. | LATER VIKING RAIDS AND THE DANISH CONQUEST | 162 |
IX. | THE INVASIONS OF 1066 | 177 |
X. | CONTINENTAL INVASIONS | 209 |
XI. | SCOTTISH INVASIONS | 223 |
XII. | LATER SCOTTISH INVASIONS | 249 |
XIII. | THE SPANISH ARMADA | 275 |
XIV. | THE AFTERMATH OF THE ARMADA | 312 |
XV. | DE RUIJTER AND WILLIAM OF ORANGE | 318 |
XVI. | THE 'FIFTEEN' AND THE 'FORTY-FIVE' | 332 |
XVII. | FRENCH RAIDS, 1690–1797 | 344 |
XVIII. | THE NAPOLEONIC DESIGN, 1804 | 351 |
APPENDIX A.—THE SITE OF THE BATTLE OF ACLEA | 357 | |
APPENDIX B.—THE ENGLISH AND SPANISH FLEETS IN 1588 | 357 | |
INDEX | 363 |
PRINTED SEPARATELY FROM THE TEXT | |
ADMIRAL MICHIEL ADRIAANSZOON DE RUIJTER | Frontispiece |
FACING PAGE | |
GAIUS JULIUS CÆSAR | 17 |
CLAUDIUS I. | 32 |
JOHN DUDLEY, VISCOUNT LISLE | 213 |
A GREAT-SHIP OF THE REIGN OF HENRY VIII. | 220 |
THOMAS HOWARD, EARL OF SURREY | 261 |
KING JAMES IV. OF SCOTLAND | 268 |
ADMIRAL PERO MENENDEZ DE AVILES | 289 |
SIR FRANCIS DRAKE | 304 |
LORD HOWARD OF EFFINGHAM | 309 |
SIR JOHN HAWKINS | 316 |
JAMES, DUKE OF MONMOUTH | 321 |
WILLIAM OF ORANGE | 336 |
PRINCE CHARLES EDWARD STUART | 341 |
GENERAL LAZARE HOCHE | 346 |
A HIGHLAND OUTPOST | 348 |
PRINTED IN THE TEXT | |
PAGE | |
TYPES OF ROMAN SOLDIERS | 10 |
A BRITON | 15 |
A ROMAN TRIREME OFF DOVER | 19 |
THE ROMAN WALL BETWEEN AESICA AND BORCOVICUS | 55 |
ANGLO-SAXON WEAPONS IN THE BRITISH MUSEUM | 95 |
A VIKING WARRIOR | 115 |
THE OSEBERG DRAGON SHIP | 118 |
SCANDINAVIAN WEAPONS IN THE BRITISH MUSEUM | 121 |
IRON HAFTED BATTLE-AXE FOUND AT WINCHESTER | 123 |
PLANKS TAKEN FROM A NINTH-CENTURY WAR VESSEL SUNK IN THE HAMBLE RIVER | 133xv |
AN ANGLO-SAXON WEARING A HELMET OF LEATHER STRENGTHENED WITH METAL BANDS | 135 |
NORSE SHIP FOUND AT GOKSTAD | 151 |
HORSES BEING LANDED FROM TRANSPORTS | 189 |
WILLIAM'S FLAGSHIP, THE 'MORA' | 189 |
THE ATTACK ON THE ENGLISH SHIELD-WALL AT HASTINGS | 201 |
A VERY EARLY CAST-IRON BREECH-LOADING GUN | 215 |
WROUGHT-IRON GUN FROM THE 'MARIE ROSE' | 219 |
A BRASS CANNON ROYAL OF THE TIME OF HENRY VIII. | 220 |
THE VIEW NORTH-WEST FROM FLODDEN FIELD | 253 |
WEAPONS NOW PRESERVED IN BAMBOROUGH CASTLE | 256 |
AN ENGLISH BILLMAN | 262 |
A SCOTTISH PIKEMAN | 265 |
BROWN BILL AND A BILL OF THE TIME OF HENRY VIII. | 267 |
AN ELIZABETHAN MIDDLE-RATE GALLEON OR BATTLESHIP | 281 |
IRON CANNON OF THE ARMADA PERIOD | 290 |
BRASS DODECAGONAL SAKER OF THE SIXTEENTH CENTURY | 296 |
A DUTCH TWO-DECKED BATTLESHIP | 325 |
A HIGHLAND CLANSMAN OF THE EIGHTEENTH CENTURY | 335 |
MARTELLO TOWERS ON THE SUSSEX COAST | 362 |
PAGE | |
CÆSAR'S TWO EXPEDITIONS TO BRITAIN IN 55 AND 54 B.C. | 27 |
THE CAMPAIGN OF A.D. 60 AGAINST BOUDICCA | 49 |
THE PASS THROUGH THE LAMMERMUIRS | 101 |
BRITAIN FROM ABOUT 500-570 | 103 |
BRITAIN ABOUT 613 | 111 |
ENGLISH AND NORTHMEN AT THE DEATH OF ALFRED | 149 |
THE FINAL STRUGGLE BETWEEN EADMUND II. AND CNUT | 175 |
THE CAMPAIGN OF 1066 | 185 |
PLAN OF THE BATTLE OF HASTINGS | 195 |
PLAN OF THE FLODDEN MANOUVRE | 259 |
PLAN OF THE BATTLE OF FLODDEN | 264 |
ORDER OF SAILING OF THE SPANISH ARMADA | 297 |
THE DUTCH IN THE MEDWAY | 322, 323 |
1 | Langdale Pikes from a garden on Windermere [title] |
2 | Windermere from Bowness |
3 | Dove Cottage—Grasmere |
4 | Stone Circle near Keswick |
5 | Derwentwater from near Friar's Crag |
6 | Derwentwater from Borrowdale |
7 | Buttermere |
8 | Scale Force |
9 | Among the summits of the Fells |
10 | Ennerdale Water from Pillar Fell |
11 | Wastwater & The Screes |
12 | Clouds on Scafell |
13 | Styhead Pass |
14 | Mickleden & Rossett Gill |
15 | Ullswater from the summit of Helvellyn |
16 | Hawes Water & Harter Fell |
1 | The Monumental Bust, Title-Page. |
2 | In the High Street. |
3 | Holy Trinity Church. |
4 | The Birthplace. |
5 | The Birth Room in Shakespeare's House. |
6 | The Guild Hall & Grammar School. |
7 | The Site of New Place & The Guild Chapel. |
8 | The New Place Panelling in the Falcon Hotel. |
9 | A doorway in Sheep Street. |
10 | The Memorial Theatre from the Church-yard Wall. |
11 | The Clopton Bridge. |
12 | The Corner of Ely Street. |
13 | In The Hall of The Harvard House. |
14 | Details of the front of Harvard House. |
15 | The Entrance to the Grammar School. |
16 | The approach to The Church porch. |
17 | In Holy Trinity Church. |
18 | Mason's Court, Rother Street. |
19 | In the garden of the Birthplace. |
20 | Seven gables of the Dower House. |
21 | Anne Hathaway's Cottage. |
22 | Anne Hathaway's, The garden view. |
23 | Anne Hathaway's Bed. |
24 | The Home of Mary Arden. |
1 | The West Gate. |
2 | The City Cross in The High Street. |
3 | The West Front of The Cathedral. |
4 | The Cloisters of The Cathedral. |
5 | The Deanery & And Tower of The Cathedral. |
6 | The Close Gate. |
7 | The Norman Clerestory of The South Transept. |
8 | South-west Buttress of The Nave. |
9 | The Font in The Cathedral. |
10 | Norman Arches of The North Transept. |
11 | The Cathedral Nave. |
12 | South aisle of The Nave. |
13 | Chamber Court. Winchester College. |
14 | in The Cloisters. Winchester College. |
15 | St. Catherine's Hill. |
16 | St. Cross Church from The River. |
17 | A Window of St. Cross Hospital. |
18 | The Old Rectory in Cheesehill Street. |
19 | The Mill at The Foot of The High Street. |
20 | The Prentice. |
21 | God Begot House. |
22 | The Castle Hall from West Gate. |
23 | The Castle-hall & The Round Table. |
1 | Fishergate Postern & the Mister [Title]. |
2 | Micklegate Bar. |
3 | St. Mary's Abbey. |
4 | Courtyard of the King's Manor House. |
5 | Doorway of the Guildhall. |
6 | Stonegate. |
7 | The Minster from the North. |
8 | The North Transept of the Minster. |
9 | In the Choir of the Minster. |
10 | The Hall of the Merchant Venturers. |
11 | Clifford's Tower—York Castle. |
12 | St. Martin's Church—Coney Street. |
13 | The Shambles. |
14 | All Saints' Church. Pavement. |
15 | The last “Spur"” Porch. |
16 | Walmgate Bar. |
PAGE | |
CHAPTER I | |
---|---|
Origin of the Inns | 1 |
CHAPTER II | |
The Knights Templars | 27 |
CHAPTER III | |
The Temple Church | 44 |
CHAPTER IV | |
The Middle Temple | 54 |
CHAPTER V | |
The Inner Temple | 86 |
CHAPTER VI | |
Lincoln's Inn and the Devil's Own | 106 |
CHAPTER VII | |
Gray's Inn | 135 |
CHAPTER VIII | |
Inns of Chancery | 165 |
CHAPTER IX | |
The Serjeants and Serjeants' Inns | 186 |
1. | Old Hall and Old Square from the Tower of the New Hall, Lincoln's Inn | Frontispiece |
FACING PAGE | ||
2. | Middle Temple Lane | 6 |
3. | Interior of the Middle Temple Hall | 20 |
4. | Lamb Building from Pump Court, Temple | 34 |
5. | Interior of the Temple Church | 46 |
6. | The East End of the Temple Church and the Master's House | 56 |
7. | The Middle Temple Gatehouse in Fleet Street | 66 |
8. | Fountain Court and Middle Temple Hall | 74 |
9. | Middle Temple Library | 84 |
10. | Hall and Library, Inner Temple | 94 |
11. | No. 5, King's Bench Walk, Inner Temple | 102 |
12. | Old Square, Lincoln's Inn | 112 |
13. | The New Gateway and Hall of Lincoln's Inn | 118 |
14. | Stone Buildings, Lincoln's Inn, from the Gardens | 128 |
15. | A Doorway in South Square, Gray's Inn | 144 |
16. | Gray's Inn Square | 154 |
17. | The Gabled Houses outside Staple Inn, Holborn | 164 |
18. | Staple Inn Hall and Courtyard | 172 |
19. | The Great Hall of the Royal Courts of Justice | 176 |
20. | Clifford's Inn | 184 |
Sketch-plan at end of volume. |
CHAPTER I | |
---|---|
PAGE | |
The Dale Country as a Whole | 1 |
CHAPTER II | |
Richmond | 13 |
CHAPTER III | |
Swaledale | 47 |
CHAPTER IV | |
Wensleydale | 71 |
CHAPTER V | |
Ripon and Fountains Abbey | 115 |
CHAPTER VI | |
Knaresborough and Harrogate | 125 |
CHAPTER VII | |
Wharfedale | 139 |
CHAPTER VIII | |
Skipton, Malham, and Gordale | 149 |
CHAPTER IX | |
Settle and the Ingleton Fells | 165 |
Index | 173 |
1. | Fountains Abbey | Frontispiece |
FACING PAGE | ||
2. | Richmond Castle from the River | 20 |
3. | Richmond from the West | 30 |
4. | Swaledale in the Early Autumn | 48 |
5. | Downholme Moor, above Swaledale | 56 |
6. | Muker on a Stormy Afternoon | 64 |
7. | Twilight in the Butter-tubs Pass | 72 |
8. | Hardraw Force | 78 |
9. | A Rugged View above Wensleydale | 82 |
10. | A Jacobean House at Askrigg | 90 |
11. | Aysgarth Force | 98 |
12. | Bolton Castle, Wensleydale | 104 |
13. | View up Wensleydale from Leyburn Shawl | 110 |
14. | Ripon Minster from the South | 18 |
15. | Knaresborough | 126 |
16. | Bolton Abbey, Wharfedale | 142 |
17. | Hubberholme Church | 144 |
18. | The Courtyard of Skipton Castle | 150 |
19. | Gordale Scar | 160 |
20. | Settle | 166 |
CHAPTER I | ||
---|---|---|
PAGE | ||
Concerning the Wolds | 3 | |
CHAPTER II | ||
From Filey To Spurn Head | 33 | |
CHAPTER III | ||
Beverley | 71 | |
CHAPTER IV | ||
Along the Humber | 87 | |
CHAPTER V | ||
The Derwent and the Howardian Hills | 121 | |
CHAPTER VI | ||
A Brief Description of the City of York | 145 | |
CHAPTER VII | ||
The Manufacturing District | 159 | |
Index: A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, V, W, Y. | 183 |
1. | York from the Central Tower of the Minster (the Western Towers in the Middle Distance) | Frontispiece |
2. | Wind and Sunshine on the Wolds | 10 |
3. | Filey Brig | 34 |
4. | The Outermost Point of Flamborough Head | 48 |
5. | Hornsea Mere | 62 |
6. | The Market Place, Beverley | 72 |
7. | Beverley Minster | 76 |
8. | Patrington Church | 100 |
9. | Wressle Castle | 110 |
10. | Kirkham Abbey | 124 |
11. | Stamford Bridge | 126 |
12. | Sheriff Hutton Castle | 130 |
13. | Coxwold Village | 136 |
14. | The West Front of the Church of Byland Abbey | 140 |
15. | Stonegate, York | 150 |
16. | Bootham Bar, York | 152 |
17. | New Hall, Pontefract | 166 |
18. | Kirkstall Abbey, Leeds | 174 |
19. | Haworth Church and 'Parsonage' | 178 |
20. | Iron Foundries at Brightside, Sheffield | 180 |
This is a multi volume index file
The index has links to all volumes.
Follow these instructions if you would like to have your own copy of this index and all the volumes of WORKS OF GORDON HOME, on your hard disk. Doing so will allow this index to be used with all the many links to the volumes and chapters when you are not connected to the internet:
1. Click on the DOWNLOAD button at the top of this file to download the zipped file package to whatever download directory you have set up for your computer.
3. Go to your Download Directory and double-click on the downloaded file (28959-h.zip), and move the directory 28959-h to this or any other directory you would like. Then double-click on 28959-h; you will see several directories: you may rename the directory named files to any name you wish, such as GORDON HOME. You may move this file to any directory on your computer.
4. In the newly named directory containing all the eBooks in this set you will find a shortcut named INDEX in capital letters, this shortcut can be used here or copied to your desktop or any directory on your computer. This index file allows you to open all of the OFF-LINE files, chapters and illustrations in this set now on your hard disk. The name INDEX may of course be renamed as you wish, for example: GORDON HOME INDEX.
When using the index or any of the files you may use the BACK button to return from any link.
5. This archive of Project Gutenberg eBooks in the files directory (see instruction #3) also includes, in addition to the usual HTML files for your computer, two sets of mobile viewer files for Kindles, Nooks and others which use .mobi or .epub formats. There is no index for these as after you download them to your mobile viewer it will automatially list the new title names in the usual place. The directories are named: "EPUB" and "MOBI". Double click on the directory which applies to your mobile viewer and move all the enclosed files to your device using the same connection technique you are familiar with when you have downloaded any commercial eBooks from your computer.
End of the Project Gutenberg EBook of The Illustrated Works Of Gordon Home, by Gordon Home *** END OF THIS PROJECT GUTENBERG EBOOK ILLUSTRATED WORKS OF GORDON HOME *** ***** This file should be named 28959-h.htm or 28959-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/9/5/28959/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.