The Project Gutenberg EBook of The Angel of Death, by Johan Olof Wallin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Angel of Death Author: Johan Olof Wallin Release Date: December 20, 2006 [EBook #20135] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OF DEATH *** Produced by Bryan Ness, Taavi Kalju and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)
Entered according to Act of Congress, in the year 1882,
By A. W. Almqvist, New York,
In the office of the Librarian of Congress, at Washington.
The original, of which this is a translation, is universally considered one of the very best among many beautiful poems written by the same illustrious author. The sublime didactic thoughts therein expressed, in language majestic and yet so simple, have won for it a constantly increasing popularity; and, during half a century, in a language so rich in literary beauties as the Swedish, have maintained it among the foremost of poetical productions of its kind.
A correct English translation, therefore, is fraught with difficulties which but few persons can appreciate. It has been my aim to reproduce the poem in the original meter, with the rhymes in their proper places. Of course, care has been taken to preserve the sense, and even the idioms of the original. How far I have[Pg 6] been successful it is hardly for me to say. As it is, I give it to the reading public.
The poem has undoubted merits in the original. If the merits are concealed in the translation, the fault is mine.
A. W. ALMQVIST.
Johan Olof Wallin, (pronounced Valleen), the author of the "The Angel of Death," was a native of Sweden, and was born in the parish of Stora Tuna, in the province of Dalarne (Dalecarlia), October 15, 1779. His father was a military man, and some time after Johan's birth became captain of the Dalecarlia regiment. The future poet and preacher was one of a large family, much larger than accorded well with the somewhat restricted means of the captain of a regiment.
At a very early age, young Johan evinced a taste for books, and for study generally; but the circumstances of his family were not such as to encourage the hope of an academic career. As has often happened in such circumstances, the talents of the boy commanded attention; and he was not left without a good primary education. At the early age of thirteen he began to help himself; and, by taking part in the education of others, he contrived to prolong his own studies, and acquired great proficiency in the classics, especially in[Pg 8] Latin. When only seventeen years of age, he made his first public appearance at the Gymnasium of Westerås, and by the delivery of a poetical speech in Latin—a speech which is still preserved and which is remarkable for its literary merits—he astonished all his seniors. Henceforth Johan Olof Wallin was a marked man among his contemporaries.
It was not long after this triumph at the Gymnasium, that young Wallin felt discouraged for the want of funds. It was now desirable that he should give himself to the higher department of study under competent teachers; but money was needed, and he knew not where to find it. In his difficulty he felt strongly tempted to give up his studies, and to give himself to his father's profession. His delicate health, however, stood in the way; and, happily, a serviceable situation as teacher having offered itself, he was saved to literature. In the fall of 1799, after a most creditable examination, he was entered as student at the Upsala Academy. His career as a student was marked by great success, especially in literature and philosophy; and, in 1803, he took his Doctor's degree. In the same year, he obtained a prize from the Swedish Academy,[A] for poetical translations[Pg 9] of four of the Odes of Horace. Wallin was now in his twenty-fourth year.
Encouraged by success, Johan tried the Academy again, and was successful in carrying off, in one session, three prizes, the largest number ever before awarded to one person, at one anniversary. One of them was the "Grand Prize," and was awarded to a poem, called "The Educator." Some of the lines give promise of the temple-orator that was to be:
Other poems followed. By this time, Johan, who had, from an early period, shown a liking for the clerical profession, had passed all his preliminary examinations with honors, and been ordained to the pastoral office. He commanded attention, at once, as a preacher. But he clung to the muses, or the muses clung to him; and his lyre, having been tuned in harmony with his sacred calling, he soon began to distinguish himself as a writer of hymns. Some of the finest hymns of which the Swedish language can boast, are from the pen of Johan Olof Wallin. Nor were secular themes wholly neglected. On January 20, 1808, on the occasion of the unveiling[Pg 10] of the statue of King Gustavus Third, he produced the famous Dithyramb, a song which has taken a permanent and honored place in Swedish literature. The same year he presented a similar poem to the Swedish Academy, and was rewarded with a prize of two hundred ducats, the highest prize ever given by the Academy.
In all great questions of a national or international character, Wallin took a deep and lively interest; and the powerful influence, which he exerted with tongue and pen, was always wielded in favor of the right. How well he knew how to seize upon and turn to account existing circumstances and passing events, is strikingly illustrated by his poem on George Washington; his Dithyramb celebrating the union of Sweden and Norway, and his splendid ode on the victories of the allies at Leipzig, Dennewitz and Grossbeeren. The last named composition had an immense success; and it was circulated by thousands among the soldiers of the Swedish army abroad.
Wallin was at home in the region of sublime and lofty thought; but his muse was not one-sided, or in any sense monotonous. Poems of a calm, reflective character flowed gracefully from his pen; and, when occasion called for the one or the other, he revealed rich veins of satire and humor. One great secret of his literary success, both as a poet and preacher, lay in the simplicity of his style. With him there was never any striving after effect. His thoughts, whether of a[Pg 11] lofty or commonplace character, whether hortatory or didactic, whether satirical or humorous, always found natural and easy expression in language which was as direct as it was graceful and easily understood.
At the comparatively early age of thirty years, Wallin had taken his place in the front rank of the scholars and public men of his day; and whatever honors were in the gift of his admiring countrymen, were freely showered upon him. Of these honors we mention only a few.
In 1810, he was elected a member of the Swedish Academy; and on several occasions he was raised by acclamation to the proud position of chairman and orator of that learned body. In 1815, he was made Knight of the Royal Order of the North Star; and in the same year he became Dom-prost, an office next in order to the Bishop's, and was honored with a seat in Parliament. In 1818, he was made Pastor Primarius, and President of the Consistory of Stockholm; and about this time he became an active and useful member of the Royal Musical Academy. In 1824, he was raised to the dignity of Bishop of the Church, and became commander of the Royal Order of the North Star and honorary member of the Royal Academy of Literature, History and Antiquities. Of this high body he was four times elected Chairman. In 1828, he was elected member of the Royal Academy of Sciences; ten years later he was made Praeses. In 1830, he was elected Court Preacher, and Praeses or President of the Royal[Pg 12] Consistory. In 1837, his honors culminated. He was elected a member of the Upsala association for the promotion of Science; also member of the Serafimer Order, a distinction rarely conferred except on royal persons and princes of the blood, when he adopted as his motto, "In Omnipotenti Vinces." In the same year, he became archbishop of Sweden and pro-chancellor of the University of Upsala.
The "Angel of Death," singularly characteristic of the author, immediately after its publication took its place in the front rank of the poetic productions of the language. The poem has never ceased to be popular. It is issued each successive year in thousands, and in all sorts of editions,—some of the recent editions de luxe are marvels of costly taste and typographic skill. His poetic productions are numerous, and they are all of a high order of merit. The "Angel of Death," however, partly on account of the undying interest of the subject, and partly, also, because of its bold and daring thought and vigorous expression, is that by which he is best known, and with which his name is destined to be indissolubly linked.
Wallin is remembered as a great churchman, as well as scholar and poet. As a preacher, he had few if any equals. Of dignified aspect, gifted with a rich sonorous voice, and visibly impressed at all times with the solemn character of his mission, he presented the very ideal of the pulpiteer; and, whenever and wherever he appeared, he was attended by admiring crowds composed of all[Pg 13] ranks and classes of the people.[C] As a hymn-writer he had also great success; and to his taste and skill, the Swedish Church is indebted for its finest collection of sacred songs.[D] How gracefully Tegner refers to him in his poem, "The Children of the Lord's Supper," every reader of Longfellow is well aware:
For thirty-one years, Wallin occupied a place, prouder, in many respects, than the Swedish throne itself,—recognized and honored by his countrymen as their greatest scholar, their greatest preacher, and one[Pg 14] of their greatest poets. In June, 1839, in his sixtieth year, the angel of death, of whom he had written so well, approached him with his sad summons; and, amid the regrets and sorrows of a whole nation, his lofty spirit took its flight to those purer regions, in which, in imagination, it already long had dwelt. He was buried in the new cemetery in Stockholm, which he himself had consecrated; and his grave is adorned with a large and appropriate monument.
At the first anniversary meeting of the Swedish Academy, after his death, Bishop Tegner read a memorial poem highly eulogistic of the deceased, and which ended as follows:
[A] The Swedish Academy is composed of eighteen men, selected from among the most learned and literary men of the country, and is the highest tribunal to pass upon the merits of poetical essays and works of literature in general; and the very fact, that a person has been awarded a prize by this Academy, is alone sufficient to insure for him an imperishable name in the annals of Swedish literature.
[C] His great popularity with the masses naturally caused them to apply to him for all sorts of information and advice, with full confidence that he knew how to assist and advise in all matters. As an example of his oft peculiar way of treating queer questions, and yet satisfying the questioner, the following may be related: For about twenty years a number of writs and fore-tellings had frightened credulous people with the prediction that the world would perish on a certain given date. As the time drew near that date Wallin was besieged for information as to the validity of the said prediction. To the constantly repeated question, "Is it true, Bishop, that the world shall perish on Thursday?" Wallin had always the same answer: "Please call again on Friday, and I will let you know." The questioner withdrew consoled.
[D] Wallin not only revised completely the old hymn-book of the church, but composed a very large number of the divinely beautiful and universally celebrated songs, of which the present Swedish hymn-book is composed.
[E] The literal translation of the last two lines (impossible to retain while maintaining the original meter) is:
Page 17, last line; i. e.—Air, Water, Earth, Fire, the four elements, in which, according to the ancient philosophers, all exists, and of which the whole world is composed.
Page 24, "Alexanders" i. e.—Such as Alexander III, "the Great," king of Macedonia, etc., the greatest of Military Conquerors; born 356 B. C.; died, 323 B. C.
"Neros" i. e.—Such as Nero, Lucius Domitius, Roman Emperor; born 37; died 68; probably the most prominent type known of wickedness and cruelty, and, nevertheless, a coward.
Page 27, "Crest and Foil;" emblematic of Knighthood or Nobility.
Page 29, "Brother" "Equal," i. e.—Neighbor, as exemplified by Christ to the Lawyer; see Gospel, St. Luke, x. 25, et. seq. The emphasized "then" on the second line refers to when "for its keeping you shall account;" (see previous stanza, page 28) the sense of the two first lines being: too late then to mend evil deeds by charity.
Page 39, lines 3 and 4; see Swedish and General History; Three champions of political and religious liberty; prominent in removing excessive taxation, extending the rights, guarantees and educational facilities of the people and undermining and finally crushing the pernicious and immense power, wealth and influence of a corrupt and arbitrary hierarchy.—
[Pg 56]Engelbrekt, an influential private citizen, went, on his own responsibility, to demand of the then king (Erik XIII) amelioration in the condition of the utterly enslaved, tax-ridden and tyranized people. This being refused, he induced the people, under his leadership, to rise in arms (in the fall of 1433) and, during three years of successive victories, drove out of the country all foreign oppressors and their adherents, put other men in their places, and enforced changes in the government, and a reduction everywhere of 33 per cent. in the taxes. He was murdered April 27th, 1436.
Gustavus 1st, savior of the independence of Sweden, who gave it new Constitution, new Laws, new Church-government, and was the first to institute general education, by establishing public schools throughout the country. He was born in 1496, and reigned from 1521 to his death, 1560.
Gustavus II, Adolphus, born in 1592, Grandson of Gustavus 1st, was king of Sweden from 1611 to his death 1632, when he fell in the famous battle at Lützen, Germany, in the "thirty years war," while fighting for the grand cause of liberty of conscience.
Page 41, "Uriah-note," see Bible, II Samuel, chapter XI.
Page 42, 1st line; see Bible, Genesis, chapter XXXVII.
Page 42, 2nd line; see Bible, II Samuel, chapter I.
Page 42, 5th line; see Bible, Jeremiah XXXI, verse 15; also, Gospel of St. Matthew, chapter II, verse 18.
Page 45, 1st line; see Bible, Gospel of St. Luke, XX, 39.
Page 45, 3rd line; see Bible, St. John, XIX, 25.
Page 45, 5th line; see Bible, St. John, XIV, 13.
Page 50, 3rd line, see Bible, St. Mark, XIII, 13.
End of the Project Gutenberg EBook of The Angel of Death, by Johan Olof Wallin *** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OF DEATH *** ***** This file should be named 20135-h.htm or 20135-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/0/1/3/20135/ Produced by Bryan Ness, Taavi Kalju and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.net This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.